Serveur d'exploration Debussy

Attention, ce site est en cours de développement !
Attention, site généré par des moyens informatiques à partir de corpus bruts.
Les informations ne sont donc pas validées.

When Your Ear Sets the Stage: Musical Context Effects in Film Perception

Identifieur interne : 000985 ( Main/Exploration ); précédent : 000984; suivant : 000986

When Your Ear Sets the Stage: Musical Context Effects in Film Perception

Auteurs : Oliver Vitouch [Allemagne, Autriche]

Source :

RBID : ISTEX:E78FB15C8F03D78FFB005B64A75A2A7EE6C99F62

English descriptors

Abstract

Psychological experiments dealing with the music-dependent perception of film sequences often use reductionist approaches (stereotyped stimuli) and rely on subjects' direct (overt) ratings of the material (e.g., using semantic differentials). For this study, a more ecologically valid covert design was constructed to investigate experimentally musical context effects on perceivers' plot-related expectations. Forty-eight participants were presented with one of two music versions (original v. fake score) of the visually identical film sequence. They then wrote brief continuations of the plot, which were subsequently analysed using quantitative and qualitative content analysis, with the focus on emotional content. Results show that viewers'/listeners' anticipations about the further development of a sequence are systematically influenced by the underlying film music, which implicitly co-determines the psychological reality of the scene.

Url:
DOI: 10.1177/0305735601291005


Affiliations:


Links toward previous steps (curation, corpus...)


Le document en format XML

<record>
<TEI wicri:istexFullTextTei="biblStruct">
<teiHeader>
<fileDesc>
<titleStmt>
<title xml:lang="en">When Your Ear Sets the Stage: Musical Context Effects in Film Perception</title>
<author wicri:is="90%">
<name sortKey="Vitouch, Oliver" sort="Vitouch, Oliver" uniqKey="Vitouch O" first="Oliver" last="Vitouch">Oliver Vitouch</name>
</author>
</titleStmt>
<publicationStmt>
<idno type="wicri:source">ISTEX</idno>
<idno type="RBID">ISTEX:E78FB15C8F03D78FFB005B64A75A2A7EE6C99F62</idno>
<date when="2001" year="2001">2001</date>
<idno type="doi">10.1177/0305735601291005</idno>
<idno type="url">https://api.istex.fr/document/E78FB15C8F03D78FFB005B64A75A2A7EE6C99F62/fulltext/pdf</idno>
<idno type="wicri:Area/Istex/Corpus">002582</idno>
<idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Corpus" wicri:corpus="ISTEX">002582</idno>
<idno type="wicri:Area/Istex/Curation">002581</idno>
<idno type="wicri:Area/Istex/Checkpoint">000918</idno>
<idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Checkpoint">000918</idno>
<idno type="wicri:doubleKey">0305-7356:2001:Vitouch O:when:your:ear</idno>
<idno type="wicri:Area/Main/Merge">000986</idno>
<idno type="wicri:Area/Main/Curation">000985</idno>
<idno type="wicri:Area/Main/Exploration">000985</idno>
</publicationStmt>
<sourceDesc>
<biblStruct>
<analytic>
<title level="a" type="main" xml:lang="en">When Your Ear Sets the Stage: Musical Context Effects in Film Perception</title>
<author wicri:is="90%">
<name sortKey="Vitouch, Oliver" sort="Vitouch, Oliver" uniqKey="Vitouch O" first="Oliver" last="Vitouch">Oliver Vitouch</name>
<affiliation wicri:level="3">
<country xml:lang="fr">Allemagne</country>
<wicri:regionArea>Music Psychology Unit, Department of Psychology, University of Vienna, Liebiggasse 5, A-1010 Vienna, Austria; Max Planck Institute for Human Development, Center for Adaptive Behavior and Cognition (ABC), Lentzeallee 94, D-14195 Berlin</wicri:regionArea>
<placeName>
<region type="land" nuts="3">Berlin</region>
<settlement type="city">Berlin</settlement>
</placeName>
</affiliation>
<affiliation wicri:level="1">
<country wicri:rule="url">Autriche</country>
</affiliation>
</author>
</analytic>
<monogr></monogr>
<series>
<title level="j">Psychology of music</title>
<idno type="ISSN">0305-7356</idno>
<idno type="eISSN">1741-3087</idno>
<imprint>
<publisher>Sage Publications</publisher>
<pubPlace>Sage CA: Thousand Oaks, CA</pubPlace>
<date type="published" when="2001-04">2001-04</date>
<biblScope unit="volume">29</biblScope>
<biblScope unit="issue">1</biblScope>
<biblScope unit="page" from="70">70</biblScope>
<biblScope unit="page" to="83">83</biblScope>
</imprint>
<idno type="ISSN">0305-7356</idno>
</series>
</biblStruct>
</sourceDesc>
<seriesStmt>
<idno type="ISSN">0305-7356</idno>
</seriesStmt>
</fileDesc>
<profileDesc>
<textClass>
<keywords scheme="Teeft" xml:lang="en">
<term>Science collections</term>
</keywords>
</textClass>
<langUsage>
<language ident="en">en</language>
</langUsage>
</profileDesc>
</teiHeader>
<front>
<div type="abstract" xml:lang="en">Psychological experiments dealing with the music-dependent perception of film sequences often use reductionist approaches (stereotyped stimuli) and rely on subjects' direct (overt) ratings of the material (e.g., using semantic differentials). For this study, a more ecologically valid covert design was constructed to investigate experimentally musical context effects on perceivers' plot-related expectations. Forty-eight participants were presented with one of two music versions (original v. fake score) of the visually identical film sequence. They then wrote brief continuations of the plot, which were subsequently analysed using quantitative and qualitative content analysis, with the focus on emotional content. Results show that viewers'/listeners' anticipations about the further development of a sequence are systematically influenced by the underlying film music, which implicitly co-determines the psychological reality of the scene.</div>
</front>
</TEI>
<affiliations>
<list>
<country>
<li>Allemagne</li>
<li>Autriche</li>
</country>
<region>
<li>Berlin</li>
</region>
<settlement>
<li>Berlin</li>
</settlement>
</list>
<tree>
<country name="Allemagne">
<region name="Berlin">
<name sortKey="Vitouch, Oliver" sort="Vitouch, Oliver" uniqKey="Vitouch O" first="Oliver" last="Vitouch">Oliver Vitouch</name>
</region>
</country>
<country name="Autriche">
<noRegion>
<name sortKey="Vitouch, Oliver" sort="Vitouch, Oliver" uniqKey="Vitouch O" first="Oliver" last="Vitouch">Oliver Vitouch</name>
</noRegion>
</country>
</tree>
</affiliations>
</record>

Pour manipuler ce document sous Unix (Dilib)

EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/DebussyV1/Data/Main/Exploration
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000985 | SxmlIndent | more

Ou

HfdSelect -h $EXPLOR_AREA/Data/Main/Exploration/biblio.hfd -nk 000985 | SxmlIndent | more

Pour mettre un lien sur cette page dans le réseau Wicri

{{Explor lien
   |wiki=    Wicri/Musique
   |area=    DebussyV1
   |flux=    Main
   |étape=   Exploration
   |type=    RBID
   |clé=     ISTEX:E78FB15C8F03D78FFB005B64A75A2A7EE6C99F62
   |texte=   When Your Ear Sets the Stage: Musical Context Effects in Film Perception
}}

Wicri

This area was generated with Dilib version V0.6.33.
Data generation: Tue Sep 25 16:34:07 2018. Site generation: Mon Mar 11 10:31:28 2024